#THE 1975 DELUXE FLAC PORTABLE#
#THE 1975 DELUXE FLAC PRO#

Teac 4300 Reel to Reel 7' - 3 3/4 IPS > MacBook Pro - Audacity > CDWav > xACT Slight flaw (tape dropout?) 01:25 of track 6ДЇM Recording & Editing by Jay Abrams (jra-sm) This is direct from the DAT made off the KSAN reelДЄudible flaw (not diginoise) 01:30 of track 2 Panasonic 3800 > Weiss firewire I/O > OSX Peak 7 (editing, pitch, hum) > xACT

Revox A77 > Panasonic SV-250 DAT 48/16 (Maxell R120DM) September 1989 Also I reduced a slight hum at two frequencies, eliminating that particular coloration. So, it won't play as loud as other versions, which some perceive as lesser quality. It also wasn't normalized up to 100& because I think doing so can add an element of harshness to the sound. This version preserves the original dynamic differences. No Woman No Cry and Get Up Stand Up are the same volume that way, but NWNC is actually a much lower volume song live. It plays with maximum gain but it also reduces the dynamic range the analog master had. However I noticed that version had each track normalized to 100%. If you have that version you could feel set and pass on this. In 2009 Sidewindersf circulated a pitch corrected version derived from a CDr source. Now that HD and dvd archiving have supplanted CD as have music servers and flac players for listening I can circulate the most direct possible version of this recording in its original sample rate. Some can improve but most degrade the original data. While digital formats make essentially perfect copies, as items pass through various hands, alterations of various sorts accumulate. Over the years, as one would expect and I intended, this spread far and wide. In the 90s I traded a few DAT clones, circa 2000 CDr versions were mastered (the 48k resampled to 44.1k), and eventually, others circulated flac files via bit torrent.

#THE 1975 DELUXE FLAC PORTABLE#

I had just bought my first DAT portable so I was able to do it digitally. In September 1989 I had the opportunity to copy a bunch of KSAN reels over a weekend.

The original notes - edited: (with thanks to musigny23 for his work and upload) This is the latest upgrade, it has the best PreFM lineage and is the most complete. This is the best sounding of those unreleased shows, from the last night of the four dates performed at the Boarding House in San Francisco. One of these is in quite desperate sound quality the Roxy in LA, but the other nine recordings split between five audience and four sbd/fm sources are all worth collecting if you are a keen Marley fan. The only official release to date from this tour is the 'Live' album recorded at the Lyceum in London, this being it's 40th anniversary, yet another opportunity is being squandered by the record company in not releasing a deluxe edition of such a classic album.ДЇortunately there are a further ten unreleased live recordings circulating from the tour. Al Anderson took over on lead guitar, Alvin 'Seeco' Pattterson added percussion with Tyrone Downie on keyboard duties. Drafted in to take the places of Peter Tosh, Bunny Wailer (Joe Higgs) and Earl Lindo were the I Threes consisting of Bob's wife Rita and Judy Mowatt formerly of the Gaylets (renowned Studio One singer Marcia Griffiths missed this tour because of pregnancy. This tour is notable for the significant change in group members, only Bob Marley (guitar and vocals), Aston 'Familyman' Barrett (bass) and Carlton Barrett (drums) appeared on the 1973 tour. Four days later the group were in London for two dates at the Lyceum Ballroom, a show in Birmingham followed, before this short visit to England concluded in Manchester on July 20th. One night at the Paramount Theatre in Oakland followed before finishing this North American leg with a five night run at the Roxy Theatre in Los Angeles. Ten dates in California followed, beginning on July 4th with a four night stand at the Boarding House in San Francisco. After a seven day consecutive run at Paul's Mall in Boston, the tour broke for a few days with some much neeeded rest and the inevitable travelling time for the remaining dates on the West coast. After a warm up show in Miami, the Natty Dread tour began with a trip over the border to Toronto in Canada on June 8th these early dates in June then covered the North Eastern states of the USA.

The 1975 deluxe flac